As Limbo gained popularity as a tourist activity and a form of entertainment, pop music began using Caribbean rhythms to respond to the emerging craze in the United States. Limbo dancers generally move and respond to a number of specific Afro-Caribbean drum patterns.

It traces the evolution of limbo dancing and the contribution of Edwards to its popularity. A film, Julia and Joyce, by Trinidadian-American Sonja Dumas, was released in 2010. In the 1950s, choreographer and dancer Julia Edwards added a number of features that are now considered standard, such as human 'bars' formed by the limbs of other dancers and the use of fire in the performance of limbo. It became a popular entertainment in Trinidad and was adopted as a physical finess exercise by American troops. According to a 1956 newspaper report, the dance was revived in 1944 by Edric Connor. In its adaptation to the world of entertainment, troupes began reversing the traditional order. Traditionally, the limbo dance began at the lowest possible bar height and the bar was gradually raised, signifying an emergence from death into life. The limbo spoke directly of the limited space in the slaving ships and the African ability to escape it.' Popularization One such dance was the limbo in the Caribbean. This was to continue in the Americas in dances, religious ceremonies and other musical forms that used cultural traditions from Africa. Many took advantage of this to bond and communicate with their shipmates by dancing steps remembered from their past in Africa. An alternative explanation of the name is suggested that the version of the limbo performed in nineteenth century Trinidad was meant to symbolize slaves entering the galleys of a slave ship, or a spirit crossing over into the afterworld, or 'limbo', but no literary reference is known to substantiate this postulated linkage.ĭr Alan Rice elaborates on the supposed link the dance has with the slave trade: 'Africans were forced to dance on deck for exercise. It achieved mainstream popularity during the 1950s. The limbo dates back to the mid to late 1800s in Trinidad. This dance is also used as a funeral dance and may be related to the African legba or legua dance. Merriam–Webster lists the etymology as 'English of Trinidad & Barbados akin to Jamaican English limba to bend, from English limber'. It is conjectured that limbo is a West Indian English derivative of 'limber'. The word 'limbo' dates back to the 1950s. When there is one person left the game is over. The contest ends when only one person can get under. After everyone has completed their turns, the bar is lowered slightly and the contest continues. No part of their bodies is allowed to touch the bar and no part other than their feet may touch the ground. When passing under the bar, players must bend backwards. Whoever knocks the bar off or falls is eliminated from the contest. All contestants must attempt to go under the bar with their backs facing toward the floor. RulesĪ horizontal bar, known as the limbo bar, is placed atop two vertical bars. It was popularized in the 1950s by dance pioneer Julia Edwards (known as the First Lady of Limbo) and her company which appeared in several films, in particular Fire Down Below ( 1957), and toured widely in the Caribbean, Europe, North America, South America, Asia, and Africa in the 1960s and later. The dance originated as an event that took place at wakes in Trinidad. The aim is to pass forwards under a low bar without falling or dislodging the bar. Limbo is a popular dance contest, based on traditions that originated on the island of Trinidad.

Limbo bar falls